{"id":7542,"date":"2025-04-15T13:53:42","date_gmt":"2025-04-15T11:53:42","guid":{"rendered":"https:\/\/ccb-tanz.at\/?p=7542"},"modified":"2025-05-27T10:24:34","modified_gmt":"2025-05-27T08:24:34","slug":"lange-naechte-des-tanzes-in-villach-und-bleiburg","status":"publish","type":"post","link":"https:\/\/ccb-tanz.at\/en\/lange-naechte-des-tanzes-in-villach-und-bleiburg\/","title":{"rendered":"Long Nights of Dance in Villach\/Beljak and Bleiburg\/Pliberk"},"content":{"rendered":"
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

General information<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

VILLACH | Friday, 30.05.2025<\/b><\/p>

18:30 \u2013 00:00,\u00a0opening: Rathausplatz

<\/p>

BLEIBURG | Saturday, 31.05.2025<\/b><\/p>

18:30 \u2013 00:00,\u00a0opening: 10. Oktober-Platz

<\/p>

TICKET PRICES:<\/strong><\/p>

20 EUR NORMAL<\/strong><\/p>

15 EUR Children, youth and students<\/strong><\/p>

Reservation: ccb@ccb-tanz.at<\/a>\u00a0\u00a0<\/p>

\u00a0<\/p>

ALL INFORMATION NEEDE \u00b4D CAN BE FOUND IN OUR DIGITAL FOLDER CLICK HERE<\/a><\/span><\/strong><\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

In 2025, the CCB is organising the \u2018Long Nights of Dance\u2019 for the first time - 2 Long Nights of Dance in 2 cities on one weekend. The CCB would like to consolidate the LNT in its founding city of Bleiburg in order to intensify cooperation with the local audience and at the same time plans to perform again in changing cities in Carinthia and thus establish the festival nationwide. To date, the LNT has already been held 17 times in Bleiburg, Gm\u00fcnd, Slovenj Gradec, Feldkirchen, Villach, St. Kanzian and Millstatt.<\/p>

This festival is characterised by its changing themes and alternating performances in different historical towns and locations in Carinthia. Both artists and audiences are challenged in an unusual way - if only by the compact staging with up to 20 performances on a single evening and the unusual performance venues. This creates a unique experience for the artists, who are given the opportunity to produce site-specific creative work and enter into an intensive dialogue with the local population.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tEva Georgitsopoulou (GR) - A SIGNAL THAT TRAVELS DOWN THROUGH YOUR HEART episode #1<\/a>\n\t\t\t\t\t<\/h6>\n\t\t\t\t\t
\"\"

C K-H Mierke<\/p><\/div>


DESCRIPTION:<\/strong><\/p>

A signal traveling through your heart is a kinetic homage to romantic love, where stereotypical narratives about falling in love are not enough. From the shocking philosophical statement of Sophocles' Antigone about the invincibility of love to the heartbreaking vocal interpretation of Whitney Houston in \u201cI Will Always Love You\u201d, we understand that love is triggered by encounter, unfolds according to the perception of the lovers and remains a thing between two. But what happens when the sensual environment - a central point of reference - is deconstructed and love is described not by two, but simultaneously by three female bodies in the present day? Through the kinetic vocabulary and the analytical exploration of the modern reflection of romance, the piece reveals a hidden dimension of love, beyond the roots of patriarchy, to rethink and redefine the concept of love.<\/p>

BIO:<\/strong><\/p>

Eva Georgitsopoulou, a versatile dancer and choreographer from Patras who lives in Berlin, studied law at the DUTH and graduated from the State School of Dance in Athens. She has worked with renowned artists such as Aerites Dance Company and Sasha Waltz & Guests. Her own works have been presented at numerous festivals and venues such as the Greek National Opera and the Athens Epidaurus Festival.<\/p>

Lenght: 25 minutes<\/p>

Place: Villach\/Beljak: Bambergsaal<\/p>

Place: Bleiburg\/Pliberk: Kulturni Dom Pliberk\/Bleiburg<\/p>

CREDITS:<\/strong><\/p>

Idea, Choreography, Direction: Eva Georgitsopoulou
Dramaturgy: So Young H. Kim
Performance & Movement Research: Tamae Yoneda, Sevasti Zafeira, Eva Georgitsopoulou
Sound Design: Nefeli Lysimachou
Lightning design: Stevi Koutsothanasi
Costume design: Nefeli Perifanou
Video & Pictures: Alexandros Papathanasopoulos
Graficdesgin: Nephew Design Studio
Production: Culto\u0301pia<\/p>

Under the patronage and with the financial support of the Ministry of Culture and Sport.\u00a0<\/p>

www.insideextremity.com<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tGIL KERER DANCE (ISR) - Concerto for Mandolin and Strings in C Major by Vivaldi<\/a>\n\t\t\t\t\t<\/h6>\n\t\t\t\t\t
\"\"

C Dario Bonazza<\/p><\/div>

DESCRIPTION<\/strong>:<\/p>

Gathering tenderness within ourselves, standing firm and strong and dancing to the sounds of the mandolin and stringed instruments - we return to an original dance experience with humility and joy. The choreography is a mixture of adult, youthful and childlike dance: music and dance as a celebration, as a space of freedom, simplicity, virtuosity, intimacy and friendship.<\/p>

BIO<\/strong>:<\/p>

Gil Kerer began his professional dance career in the Kibbutz Dance Company and the Vertigo Dance Company in Israel. As a choreographer, he has created pieces for companies and festivals such as the Malta Festival, Aura Dance Theatre (Lithuania), Maya Dance Theatre (Singapore), Theater Pforzheim (Germany) and many more. He has received awards for his works at festivals and competitions in Israel, Sweden, Germany and Denmark.<\/p>

Villach\/Beljak: Rathausplatz<\/p>

Bleiburg\/Pliberk: 10.-Oktober-Platz<\/p>

Lenght: 15 Minutes<\/p>

CREDITS:<\/strong><\/p>

Dancers: Gil Kerer and Or Saadi
Music: Vivaldi\u2019s Concerto for Mandolin and Strings in C Major, performed by Avi Avital and the Baroque Orchestra of Venice
Artistic advice: Anat Cederbaum
Rehearsal director: Alex Shmurak
Video: Kino Kitchen<\/p>

www.gilkerer.com<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tCieLAROQUE \/ helene weinzierl (AUT) - RHYTHMUS & RAUSCH<\/a>\n\t\t\t\t\t<\/h6>\n\t\t\t\t\t
\"\"

C Bernhard M\u00fcller<\/p><\/div>

DESCRIPTION:<\/strong><\/p>

In Rhythm and Intoxication, we examine the question of the extent to which interpersonal closeness or the reduction of physical distance creates intimacy in a performative setting or whether this increases the distance between performers and audience? Does the anonymity of the urban context even allow for personal closeness and networking? The performers create an interactive puzzle landscape that develops over the course of the performance into a structured chaos, an abstract, energetic maelstrom, a never-ending loop of uninterrupted movement, full of physical intensity. As the performance progresses, the public space becomes an essential part of the piece and another performer.<\/p>

- \u201cA refreshingly unconventional invitation to more openness.\u201d Upper Austrian News<\/p>

BIO:<\/strong><\/p>

The Austrian choreographer Helene Weinzierl founded CieLAROQUE in 1995 after more than ten years as a dancer. In recent years, the focus has been on movement research and interaction with the audience. Many of the productions focus on socio-political themes. The company has been awarded numerous international prizes.<\/p>

Lenght: 40 Minutes<\/p>

Villach\/Beljak: Wei\u00dfbriachgasse<\/p>

Bleiburg\/Pliberk: 10. Oktober-Platz<\/p>

CREDITS:<\/strong><\/p>

Artistic direction, choreography: Helene Weinzierl
In cooperation with: Jolyane Langlois, Luan de Lima, Azahara Sanz Jara, Nejma Larichi, Eli Hooker, Uwe Brauns, Alberto Cissello
Music, composition, arrangement: Oliver Stotz
Contact: Lena Obenaus
Production: CieLAROQUE and SZENE Salzburg
Supported by BMKOES, Salzburg Stadt:Kultur, Salzburg Land:Kultur.\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tKacper Szklarski & Katarzyna Leszek (POL) - Duet on Cello, Piano & a Heartbeat<\/a>\n\t\t\t\t\t<\/h6>\n\t\t\t\t\t
\"\"

C Piotr Werewka<\/p><\/div>

DESCRIPTION:<\/strong><\/p>

The work is a poetic narrative about loss - an attempt to capture the melancholy of the ephemeral, in which past and present flow into one another. It is a journey through memories and living with another person, a reflection on our influence on each other.<\/p>

Lenght: 10 Minutes<\/p>

Villach\/Beljak: Park \u2013 Parkhotel<\/p>

Bleiburg\/Pliberk: Br\u00fcndl<\/p>

CREDITS:<\/strong><\/p>

Choreography & Dance: Kacper Szklarski & Katarzyna Leszek<\/p>

Costumes: Klaudia Ostr\u0119ga<\/span><\/p><\/div><\/div><\/div><\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tMichael Sellner (AUT) - Strangers in the night<\/a>\n\t\t\t\t\t<\/h6>\n\t\t\t\t\t
\"\"

C Zoe Kugler<\/p><\/div>

DESCRIPTION:<\/strong><\/p>

Inspired by family, Strangers in the Night is a solo performance and a portrayal of an alcoholic person in a chaotic phase of their habitual escapism. The inability to cope with everyday life and finding solace in alcohol consumption, which ultimately only creates an unpleasant time. Presented in a very comedic way and welcoming laughter from the audience, the play nevertheless shows the loneliness, awkwardness and indifferent attitude of a \u201cdrunk person\u201d trying to have \u201ca good time\u201d.<\/p>

In any case, I wish you a good time!<\/p>

BIO<\/strong>:<\/p>

Before completing his training in contemporary dance and ballet at SEAD, Michael Sellner was intensively involved in breaking and street styles. His artistic research interest lies in the combination of his anti-gravitational physicality with a theatricality that manifests itself in clowning. His creative principles focus on spontaneous and honest movement as well as sophisticated play with the audience to generate creative surprises within the language of movement.<\/p>

Villach\/Beljak: Rathausplatz<\/p>

Bleiburg\/Pliberk: Pfarrhof<\/p>

Lenght: 10 Minutes<\/p>

CREDITS:<\/strong><\/p>

Choreography and Performer: Michael Sellner
Music: Bert Kaempfert<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tAUDIOWALK-PERFORMANCE: kollektiv kunststoff (AUT) - SCHREI<\/a>\n\t\t\t\t\t<\/h6>\n\t\t\t\t\t
\"\"

C Bernhard Wolf<\/p><\/div>

DESCRIPTION: <\/strong><\/p>

Imagine we land in another world. This world looks very similar to ours, but feels different. The thrill makes goose bumps dance down our spines, the excitement smells salty and the courage tingles on our tongues. Do you hear that too? What makes us sweat? Do we fall into rigor mortis or do we face our fear? What trembles under our feet? And what does fear tell us?<\/p>

BIO:<\/strong><\/p>

kollektiv kunststoff has been working in the fields of contemporary choreography, dance and cultural mediation since 2011. In doing so, it tries to stimulate reflection and also address socio-politically relevant topics. The artistic approach describes itself as conceptual, intuitive, interdisciplinary, counter-current, process-oriented and courageous.<\/p>

Lenght: 25 minutes<\/p>

Villach\/Beljak: Bambergsaal<\/p>

Bleiburg\/Pliberk: Zitatenpassage<\/p>

CREDITS:<\/strong><\/p>

Concept, Choreografy: Raffaela Gras
Composition, Sounddesign: Peter Plos
Choreographic collaboration, performance: Katharina Senk, Michael Gross, Susanna Peterka, Stefanie Sternig
Artistic collaboration, voice: Sarah Zaharanski
Dramaturgy: Christina Aksoy
Costume and interior design: Sophie Baumgartner
Trombone: Andreas Gr\u00fcnauer<\/p>

With the kind support of the Cultural Department of the City of Vienna and the Federal Ministry for Arts, Culture, the Civil Service and Sport. Special thanks to WUK ttp.<\/p>

Attention<\/strong>: There is a limited number of headphones available. Seats can be secured by purchasing a ticket at the box office in good time.<\/p>

www.kollektivkunststoff.com<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tVIDEO: Nii\/Colaborat\u00f3rio (BRA) - Estio_rite in lapse<\/a>\n\t\t\t\t\t<\/h6>\n\t\t\t\t\t
\"\"

C Melissa Figueiredo<\/p><\/div>

DESCRIPTION:<\/strong><\/p>

What was the future? What they expected did not happen.<\/p>

The meanings of Estio (2018) are revisited and repositioned in Estio_rito em lapso (2021) - a film that was created in the midst of the pandemic under predominantly remote conditions (rehearsals, filming, post-production). In the conviction that works of art update themselves with time and at the same time update time, the question arises as to what answers Estio can give to our present.<\/p>

Between the future, isolation, precarity, exhaustion, survival and conflict, this creation revolves around the idea of a choreographic dystopia. In doing so, Nii\/Colaborat\u00f3rio explores what dances are created when the virtual and the real become equivalent - with a view to the pandemic of 2020. How can we continue to exist in the midst of devastation and oblivion? Can futures still be invented?<\/p>

BIO<\/strong>:<\/p>

Nii\/Colaborat\u00f3rio is a Brazilian platform for dance artists and producers based in Salvador de Bahia. Since 2015, they have been creating choreographic works and films that always revolve around the body in motion. They develop scenarios in collaboration with different artistic disciplines and organize local and international projects in the fields of creation, free artistic research and education.<\/p>

Villach\/Beljak: Kulturhof Keller<\/p>

Bleiburg\/Pliberk: Pfarrhof<\/p>

Lenght: 18 Minuten<\/p>

CREDITS:<\/strong><\/p>

Artistic direction, choreography: Alana Falc\u00e3o, Melissa Figueiredo and Neemias Santana Dance and images: Ana Brand\u00e3o, Jo\u00e3o Rafael Neto, Joely Silva, Luana Ful\u00f4, Marcos Ferreira, Ruan Wills, Sebasti\u00e3o Abreu and Thiago Cohen, Tempuh Carvalho
Filmografie: Joa\u0303o Rafael Neto + Alana Falca\u0303o, Melissa Figueiredo and Neemias Santana
K\u00fcnstlerische Leitung: Alana Falca\u0303o, Melissa Figueiredo and Neemias Santana.
Soundtrack: Ramon Gonc\u0327alves (Aurata)
Bearbeitung und Fertigstellung: Wendel Assis
Unterst\u00fctzung Bearbeitung: Maria Mango
Produktion: Rodrigo Figueiredo and Natalia Vale\u0301ri<\/p>

https:\/\/linktr.ee\/niicolaboratorio<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tWORKSHOPS: Andrea K. Schlehwein + NETZWERK AKS<\/a>\n\t\t\t\t\t<\/h6>\n\t\t\t\t\t

29.5.2025 Villach\/Beljak | Rathausplatz 18:00 \u2013 19:30<\/strong><\/p>

Petra Pec\u030cek representing the label Andrea K. Schlehwein + NETZWERK AKS<\/p>

Anmeldung bevorzugt: ocb@ocb-tanz.at<\/p>

30.5.2025 Landhaushof Klagenfurt\/Celovec<\/strong> 17:00 – 18:15<\/strong><\/p>

Public Moves ImPulsTanz Festival<\/p>

Jye Hwei Lin & Unita Gay Galiluyo representing the label Andrea K. Schlehwein + NETZWERK AKS<\/p>

www.impulstanz.com\/publicmoves\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Team<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Artistic Director<\/strong>: Anna Hein
Production management:<\/strong>: Mirjam Sadjak
Curation:<\/strong>: Anna Hein, Hanspeter Horner, Guido Markowitz, Rio Rutzinger, Susan Quinn
Technical management:<\/strong> Mathias Kunauer
Commercial management CCB:<\/strong> Jutta Mitteregger
Production<\/strong>: Vincenzo Gatta, Hanna Novak
Technical team:\u00a0<\/b>Martin Motschnik, Andra\u017e Gabrijel\u010di\u010d, Vincenzo Gatta, Marco \u0160umnik, Jona Sadjak
Graphic design:<\/strong> Major Tom
Video: <\/strong>Dominik Kri\u0161tof
Foto:\u00a0<\/strong>Yvonne Kunauer<\/p>

+ helpers<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t