Published

C Stefan Reichmann
C Stefan Reichmann

CALL FOR APPLICATIONS

LABOR
EXPERIMENTAL FIELD FOR CHOREOGRAPHY AND DANCE

28.07. – 03.08.2025
DOMENIG STEINHAUS, CARINTHIA
DEADLINE: 09.02.2025

The LABOR - Experimental Field for Choreography and Dance at the Domenig Steinhaus is entering its second round! The LABOR serves as an incubator for artists and supports them in developing their own choreographic language and testing out various compositional tools. The LABOR also strengthens networking and was developed as a support program for choreographic and dance talents throughout Europe and worldwide. The Center for Choreography Bleiburg/Pliberk (CCB) is looking for 2-3 choreographers and 6-8 dancers.

Every day you can expect

  • new choreographic tasks,
  • new constellations,
  • new places in Domenig Steinhaus!

For several days, the invited choreographers have the opportunity to work with dancers on various choreographic tasks. The focus is on site-specific work that incorporates the special conditions of the Domenig Steinhaus. The mentor Katharina Christl accompanies the participants with creative tasks, individual feedback and professional career discussions. This creates a unique working atmosphere that offers space for exchange, experimentation and personal development. At LABOR, choreographers work together with professional dancers in a unique location. The dancers benefit from the direct exchange with two choreographers and their innovative ideas as well as the opportunity to network internationally.

At the end of LABOR, the choreographers have time to delve deeper into their choreographic sketches and further develop individual ideas for the final public show .

This intensive exchange is intended to provide both a choreographic testing ground with personal mentoring and international networking. The Center for Choreography Bleiburg/Pliberk also aims to establish a sustainable collaboration with the artists and involve them in other CCB formats. Our aim is to enable up-and-coming talents, those returning to dance and career changers to gain practical experience and create sustainable networks.

TARGET GROUP

For the LABOR there is a call for both choreographers and dancers. Both calls are aimed at:

  • emerging artists,
  • returning to the profession or
  • career changers.

There is no age limit for applications. The jury attaches great importance to presenting a holistic and diverse picture of the contemporary dance scene. Exceptions are possible in special cases.

VENUE

The LABOR will take place in the DOMENIG STEINHAUS. We deliberately make the location the focus of the program and allow the individual short performances to be created in a site-specific way with various unusual spatial experiences. Our aim is to overcome traditional theatre spaces and instead find new experimental presentation possibilities. The DOMENIG STEINHAUS is the starting point and resonance space for creative processes. In the spirit of Günther Domenig, the architecture experienced here should serve as a source of inspiration, stimulate discourse and dialogue and encourage creative curiosity. In contrast to a backdrop, the diversity of the form built here opens up a performative experience of architecture in dialogue with art, science and business, which should become tangible in the respective events and projects. The DOMENIG STEINHAUS experiences itself as a stimulus, cast in physical form, to think beyond boundaries and to realise these in interaction with the building.

Infos: https://www.domenigsteinhaus.at

MENTORING

Credits: Ida Zenna

The mentor for this year's edition will be Katharina Christl.

‘Architecture, communication, people and movement have always been exciting interfaces for artistic research. The Domenig Steinhaus is the perfect place to create spaces for reflection in the centre of society, in the middle of public spaces. Collective experiences and exchange processes are always important and valuable. The choreographers are not only accompanied in individual research, but also gain access to numerous conceptual approaches that connect space and people in terms of system theory through personal exchange. The aim is to meet people and immersively reach and move the audience.’

BIO: Katharina Christl studied dance at the Palucca University of Dance Dresden in her home town from 1990-1996 and worked as a freelance performer and choreographer in Dresden and Berlin. She has worked with Frédéric Flamand on and off since 2000 and became a permanent member of his company Charleroi/Danse-Plan K (Belgium) in 2001. There she actively created works in dialogue with architects and artists such as Diller+Scofidio, Zaha Hadid, Jean Nouvel, Thom Mayne, Tsuyoshi Tane and Ai Weiwei. In 2005, she followed Flamand to Marseille as a soloist, where he was appointed Artistic Director of the Ballet National de Marseille. She performed in all of his productions and worked with guest choreographers such as Emanuel Gat, Michèle Noiret, Annabelle Ochoa Lopez, Stephen Petronio, Lucinda Childs and Richard Siegal. Katharina Christl was the choreographic assistant and rehearsal director for Frédéric Flamand's creations.

Since 2006, she has reactivated her own choreographic work. She began with the solo Manfred, which toured for eight years as part of the repertoire of the Ballet National de Marseille (BNM). In 2009, she created the full-length piece Get ready, Iʼm done. with Simon Courchel for the international Festival de Marseille and klaus t., a durational performance with the BNM, which was staged at the mac Museum of Contemporary Art in Marseille. Since 2010, she has created several pieces for the matinees of the Palucca University of Dance Dresden. This was followed in 2012 by a special collaboration with the choreographer Michel Kelemenis, from which the duo Le Sixième Pas emerged and became part of the BNM's repertoire.

Specialized in dance/architecture, dance/new media technology, contemporary dance and improvisation, she teaches as a guest teacher at many international festivals, professional companies and academies. Due to her renowned knowledge, she was awarded the Diplôme d'État as a teacher of contemporary dance by the French Ministry of Culture. In 2014, she created another full-length piece for the Ballet National de Marseille Identity Shift, as well as Plexus 10 and Get...done. for the Compagnie Grenade in Aix-en-Provence. At the same time, she produced a performance and film Le Corps des Formes for the internationally shown installation by the French artist André Fortino. Before accepting the professorship for choreography at the Palucca University of Dance in September 2015, she worked as a guest ballet master and dancer at the Bayerisches Staatsballett and supported Richard Siegal as a choreographic assistant and performer for his production Model at the Ruhrtriennale 2015.

Since returning to live and work in Dresden, she has taught as a guest lecturer at many renowned international institutions. At the same time, the new Master's programme in Choreography at the Palucca University of Dance Dresden, which she restructured, has been successfully active again under her direction since the winter semester of 2016 and has gained international recognition. In 2018, she was voted ‘Hope of the Year’ in the tanz magazine critics' poll. In the city of Dresden, she has been active on various committees since 2019, such as the Cultural Advisory Board and the Expert Group for Performing Arts, later also a member of the Saxon Academy of the Arts, and since 2024 part of the jury for the Dance Platform Germany 2026. In summer 2024, she was appointed Rector of the Palucca University of Dance Dresden.

CONDITIONS

The CCB will cover the accommodation costs for the selected choreographers and dancers, travel expenses up to a maximum of EUR 100 and an expense allowance of EUR 500 gross. The CCB does not cover any per diem, visa or insurance costs. 

APPLICATION

We look forward to receiving meaningful applications by 9 February 2025 (23:59 CET) to Mirjam Sadjak, mirjam@ccb-tanz.at. The submission should include one PDF file (file named ‘LABOR25_name of applicant_category’) and contain the following, depending on the applicant:

(A) CHOREOGRAPHERS

  • Letter of motivation (max. 1 A4 page) incl. ideas for artistic approaches in connection with the Domenig Steinhaus
  • CV + picture
  • 2-3 video links of choreographic works/sketches (only YouTube or Vimeo-links)

(B) DANCERS

  • Link to showreel (only YouTube or Vimeo-links)
  • Biography + photo

It is possible to apply in both categories!

The Center for Choreography Bleiburg/Pliberk welcomes applications from people of all ages, genders, nationalities, people of colour and applicants with a history of flight or family migration!

Accessibility: LABOR takes place in and around the Domenig Steinhaus. The DOMENIG STEINHAUS extends over five floors, has very narrow rooms and is not barrier-free (no elevator).

Curators 2025:           

Katharina Christl (Rector Palucca University of Dance, freelance choreographer), Dušana Baltić (Artistic Director Festival Pelzverkehr & Creative Producer Hungry Sharks Company, photographer), Theresa Pointner (Head of Press & Marketing at brut Wien, freelance curator), Mirjam Sadjak (CCB board member, dancer, cultural manager)

PDF (GERMAN): CLICK HERE

 

Contact: Mirjam Sadjak, mirjam@ccb-tanz.at      

 

Curators

Katharina Christl

see above

Dušana Baltić

Jelena Janković

Born in 1985 in Croatia, Dušana Baltić studied Media and Communication Sciences at the Alpen-Adria University in Klagenfurt. She is a co-founder and co-director of the dance company Hungry Sharks and works as a freelance production manager, curator, cultural and tour manager in the performing arts. Starting in 2025, she will take on the Artistic Direction and revival of the Pelzverkehr Festival for Dance and Performance in Klagenfurt.

Credits: Jelena Janković

Theresa Pointner

Theresa Pointner obtained her MA in music and dance studies (specialising in dance studies) at the University of Salzburg and completed the university course in curating in the scenic arts at the same university. She has been working in the field of communication in dance and performance for 14 years, e.g. for brut Wien, ImPulsTanz, Szene Salzburg and the EU network apap. Her curatorial activities include music video programmes for Vienna Shorts and ImPulsTanz as well as the film programme (2024) and artistic consulting (until 2024) for the latter.

Credits: Karolina Miernik

Mirjam Sadjak

Mirjam Sadjak (born in Carinthia/Koroška) is a dancer, cultural manager and curator based in Vienna and Berlin. She studied musicology at the University of Vienna and Humboldt University in Berlin as well as cultural management at the University of Music and Performing Arts Vienna. Since 2018, she has worked as a curator on various projects at the Center for Choreography Bleiburg/Pliberk (CCB), where she is also a board member and works in the artistic operations office. She also works as a freelance production manager and at the Radialsystem in Berlin.

She works as a dancer and choreographer in pieces, short dance films and video works and has collaborated with artists such as Mira Gregorič, Maria Colusi, Cora Kartmann, Lea Moro, Vincenzo Gatta and Sebastian Abarbanell.

Credits: Kata Kwiatkowska